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All Series
- History of Magic, Witchcraft...
- Applied Ethics
- Archaeology of Crime
- Criminal Justice & Philosophy
- Cultures and Heritages
- Eastern European Visual...
- Engineering and Industry
- Gender-based Violence
- Gender in the Middle Ages
- History and Art
- History & Archaeology of SE Europe
- Medievalism
- Mediterranean Studies
- Perspectives in Bioethics
- PJCV
- Philosophy, Communication...
- Polemos kai Stasis...
- Renovatio
- Rewriting Equestrian History
- Sylloge
- History Books
- Philosophy Books
- Exact Sciences
- Trivent Medieval
- Trivent Violence & Conflict
- Philosophical Journal of Conflict and Violence (PJCV)
- Cheiron: The International Journal of Equine and Equestrian History
- Trivent Libri
- About us
- Publish with us
- Resources
- Open Access Books
- Trivent Conferences
- Contact us
-
All Series
- History of Magic, Witchcraft...
- Applied Ethics
- Archaeology of Crime
- Criminal Justice & Philosophy
- Cultures and Heritages
- Eastern European Visual...
- Engineering and Industry
- Gender-based Violence
- Gender in the Middle Ages
- History and Art
- History & Archaeology of SE Europe
- Medievalism
- Mediterranean Studies
- Perspectives in Bioethics
- PJCV
- Philosophy, Communication...
- Polemos kai Stasis...
- Renovatio
- Rewriting Equestrian History
- Sylloge
- History Books
- Philosophy Books
- Exact Sciences
- Trivent Medieval
- Trivent Violence & Conflict
- Philosophical Journal of Conflict and Violence (PJCV)
- Cheiron: The International Journal of Equine and Equestrian History
- Trivent Libri
- About us
- Publish with us
- Resources
- Open Access Books
- Trivent Conferences
- Contact us
Trivent Publishing, H-1119 Budapest, Etele u. 59-61
Publisher: Teodora C. Artimon
SERIES EDITOR
Marcell Sebők (Central European University, Budapest), Sebokm@ceu.edu
ABOUT THE SERIES
The book series aims at inviting and offering works which use the conceptual and interdisciplinary frameworks of cultural studies, or are informed by fields of research in heritage studies. It views cultures not as stable and bounded entities, but rather as constantly changing and interacting sets of practices and processes. The series welcomes studies that engaged with studying historical memory, cultures of remembrance and oblivion, the construction of intangible cultural heritage, the cultural and political processes of construing the historical past (such as medievalism), or presenting social and heritage institutions (museums, archives and libraries) - their theoretical basis and acts - in shaping notions of culture. The series also encourages to submit works on documenting heritage practices coming from the in-between fields of traditional heritage institutions, such as community and public histories, processed oral histories, and new approaches to the recently generated big (historical) data.
