Publication date: April, 2024
Pages: 313, colour
ISBN 978-615-6696-18-2 Paperback, €44
ISBN 978-615-6696-17-5 Hardcover, €66
eISBN 978-615-6696-19-9 eBook, €44
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Foreword
Sif Ríkharðsdóttir
CHAPTER 1. Charting Emotions in Literary and Historical Contexts: An Introduction to Emotions on the Fringes
Felix Lummer
CHAPTER 2. “Felynge [...] nothyng”: Fringe Figures, Grief, and the Ethos of Unfeeling in Chaucer’s Book of the Duchess
Grace Catherine Greiner
CHAPTER 3. The (In)Visible Body of Emotion in Partonopeu de Blois and Partalopa saga
Meritxell R. de la Torre
CHAPTER 4. Supernatural Sentiments: The Language of Emotions in the fornaldarsögur
Felix Lummer, Katrín Lísa L. Mikaelsdóttir
CHAPTER 5. In the Folds of the Flesh: The Emotions of the Draugar and their Victims in the Íslendingasögur
Natalie Hopwood
CHAPTER 6. Furor and Royal Martyrdom in Early Nordic Historiography
Elizabeth Hasseler
CHAPTER 7. Love, the Holy Family, and the Song of Songs in the “Judas Ballad”
Hope Doherty-Harrison
CHAPTER 8. “I hope þat þer bee noon siche cristen man”: The Prick of Jewish “Stony-Heartedness” in Medieval Passion Meditations
Rowan Wilson
CHAPTER 9. The Merciful Anger of the Christians Against the Moors in the Golden Hispanic Epic: The Redemption of the Hispanic Soldiery in Juan Rufo’s Austríada
Marta Cristina Oria de Rueda Molins
CHAPTER 10. The King, the Nobility, and All the Others? Popular Emotions in the “Annales” of Jan Długosz
Kalina Słaboszowska
CHAPTER 11. From Sentiment to Fact: How Did the Letter 20 of Ambrose of Milan Shape Empress Justina as a Bad Feminine Figure?
Amélie Belleli
Notes on Contributors
This volume contains ten articles dedicated to the comparative study of emotions in literature. The present anthology titled "Emotions on the Fringes: Feelings of the Marginalised from Late Antiquity to Early Modern Literature" initially arose from a series of panels held at the International Medieval Congress in Leeds in 2022. The term ‘Fringe’ in this book’s title is interpreted in its widest sense, signifying both geographical boundaries and the manifestation of social or ideological marginalisation. This broad definition facilitates the inclusion of various methodologies and a spectrum of textual evidence in the discussion. As a result, ‘Fringe’ is interpreted to include liminality, both figurative and literal marginality, and the supernatural. The contributions presented in this volume are therefore not only addressing emotions relating to ‘Fringes’ in both Old English and Old Norse-Icelandic literature, but also consider historical accounts, correspondences, and epic poetry from Late Antiquity to the Early Modern Period.
FELIX LUMMER holds a Ph.D. in Old Nordic Religion and Belief from the University of Iceland. He is a Sessional Lecturer of a course on Old Nordic Religion and Belief at the same institution. His current research interests are Old Nordic belief and mythology, translation studies, the studies of emotions in literature and the belliphonic.
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